Lance: “I have been painting since I was a child. My mother is an artist and encouraged me to paint, about which I am still very grateful. Due to my busy life my painting had to take a back seat, but when I was 40 and achieved everything that I had wanted to achieve, I decided to focus completely on painting. I wanted to share my art, my vision, with the world. Just enjoy myself painting When I started I deliberately did not give myself any objectives, apart from working hard, learning a lot and not worrying what others may think. I just want to enjoy myself painting! My uniqueness My uniqueness comes from simply being myself. I use those colours that arise within me and let the palette knife move, following my emotions at the time. I let my thoughts go where they want to. I always say the finished painting is already on that blank canvas, it just uses my hands and eyes to reveal itself to the world. It has its own life!”PDF colour chart
Graham Oil:
Warm White (Unbleached Titanium) #198 PG1
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Size:
37 ml
Artists Oil Paint
The walnut oil used in M. Graham Artists Oil Paint dries to a clear film that will not yellow and allows the true color of the pigments to shine through.In the tradition of the masters, M. Graham Artists Oil Paint is made from pure walnut oil for its brilliance, clarity, texture and resistance to fading and yellowing. Working in small batches, we produce oil paints that stay true to the roots of Renaissance painting: delicately free-flowing, solvent-free and without fillers or additives. Thanks to the exceptionally high concentration of pigment in M. Graham Artists Oil Paints, your work will naturally feel more vibrant and alive and be imbued with rich, glossy color for years to come.
Georgian Oil
Die im Jahr 1783 in London ansässigen und nach George Rowney, dem Gründer des Unternehmens, benannten Georgian Oil Colors von Daler-Rowney bereichern den zeitgenössischen künstlerischen Ausdruck durch moderne und brillante Farben, optimale Pigmentbeladung und ein sehr angenehmes Gefühl unter Pinsel und Messer. Georgian Oil Colors werden traditionell in England hergestellt und dreifach gemahlen und bieten Farbkonsistenz von nass bis trocken sowie eine gleichmäßige Leistung und Oberfläche bei allen Farben. Aufgrund ihrer sorgfältigen Formulierung erfordern georgische Ölfarben im Allgemeinen nur sehr begrenzte Mengen an Medien und können daher frei direkt aus der Tube verwendet werden, sodass sich der Künstler auf die spontane Kreativität konzentrieren kann.• Erhältlich in 54 Farben • Zu den hohen Pigmentbelastungen zählen die traditionellen Pigmente Cadmium und Kobalt • Außergewöhnlich dauerhafte und brillante Farben • Die Farben sind untereinander mischbar und von nass bis trocken gleichmäßig • Oberflächentrocken in 4 bis 5 Tagen • 24 Einzelpigmentfarben • 31 deckende oder halbdeckende Farben • Alle Farben werden als Permanent**** oder Normal Permanent*** eingestuft. • Glatte und butterartige Konsistenz, ideal zum Experimentieren mit verschiedenen Pinsel- und Messertechniken • Einfaches Mischen mit Medien bietet endlose kreative Möglichkeiten • Traditionell hergestellt und dreifach gemahlen in England
• Striking color intensity and easy color transfer • Based on pure pigments, mineral oils and waxes• Particularly soft, no dusting • Suitable for various surfaces
Schmincke Norma color:
Titanium white ##114 PG1
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Size:
35 ml
Norma® Professional
Finest artists' oil colours, series 11
84 shades including unique special colours
Use of renewable raw materials, e.g. pure, high-quality plant oils
Only highest lightfastness (4 + 5 stars)
Even drying and balanced consistency within the colours
Maximum spreading rate by using the highest concentration of pigments
Available in following sizes: 84 colours in 35 ml tubes, 48 colours in 120 ml tubes and 12 colours in 200 ml tubes, 5 litre buckets on request
Norma® Professional is a modern, environmentally-friendly formulated oil colour of the finest quality for professional and demanding oil painting. The balanced range of colours consists of 84 brilliant, traditional and modern colours including 27 high-quality transparent colours and several unique special colours. These include not only highly lightfast and opaque chrome yellow shades, but also special shades such as poppy red, cobalt turquoise, agate brown, Schweinfurt green hue, neutral black, gold, silver, bronze and others. All 84 colours have maximum lightfastness (4-5 stars).
The ecologically sound formulation includes the use of many natural, sustainable raw materials. High-quality, pure plant oil combinations ensure good adhesion, optimum pigment uptake and decreased tendency for yellowing. The best classical and latest technical pigments used in the highest concentration guarantee a maximum spreading rate and an exceptional luminosity and brilliance of all colours. Careful preparation, traditionally ground on three rolling mills, aged for three months before bottling, ensures that the raw materials are developed optimally in the pure oil paint.
All colours have a balanced, creamy-buttery consistency and therefore have the best painting features and optimum working traces. In addition, optimisation of the formulation produces a shorter, even drying of all colours, which guarantees brilliant and highly durable surfaces.
Norma® Professional has unlimited ability to mix and combine with all Schmincke oil colours (MUSSINI®, AKADEMIE® Oil color and College® Oil) and all oil mediums.
LUKAS STUDIO, the modern professional quality with an optimized price-performance ratio, contains without exception brilliant color and technically safe pigments with high lightfastness in high concentrations. A trace (0.5 - 1.5%) of the finest bleached beeswax as a component of the consistency agent gives the paint the buttery, short consistency desired by the painter and makes the paint film less brittle for the restorer. The binding agents are, as in all LUKAS oil paint ranges, exclusively pure, vegetable linseed and sunflower oils of a special quality.
Standard SeriesGreat colorsAmsterdam Standard Series offers you everything you need when you want to paint with acrylic paint. A quality acrylic paint in 73 brilliant shades.Those who paint with acrylic paint can be inspired by Amsterdam by Royal Talens. What connects you and Amsterdam is your creativity. You have the enthusiasm, the talent and the ambition. We have the colours, the tools, the materials, the knowledge and the experience to express it all. Amsterdam All Acrylics - the acrylic brand for the professional artist - offers you a very extensive range of colors and a complete package of tools in excellent quality with the Standard and Expert Series worldwide. With Amsterdam you cross borders and you have every opportunity to realize the most beautiful creative results with your talent.
The spray paint of Amsterdam gives your artistic freedom a new dimension. Use it on any ground you like. There are so many fantastic things you can do with spray paint! It is the perfect technique for anyone who enjoys fast painting. The formula is water-based, making it ideal for indoor use.
Die Cremigkeit einer wasserfesten Mine verbunden mit unvergleichlicher Lichtbeständigkeit: Exzellente Ergebnisse für die anspruchsvollsten Künstler, Designer, Architekten, künstlerischen Leiter…
DETAILS DER STIFTE
Erstklassiges, FSC-zertifiziertes Zedernholz
Rund mit Kapsel in der Minenfarbe
Angabe der Farbnummer und -bezeichnung
Die Lichtbeständigkeit entspricht den höchsten internationalen Standards hinsichtlich der Lichtbeständigkeit der Farbstifte
DETAILS DER MINE
Wasserfest und cremig
Durchmesser: 3,8 mm ermöglicht eine klare und präzise Strichführung
Maximale Deckkraft
Hohe Pigmentkonzentration für intensive Farben
ANWENDUNGSTECHNIKEN
Unendliche Mischmöglichkeiten, Schattieren, Schichtmalerei
Zur Kombination mit SUPRACOLOR® Soft Aquarelle zum Lavieren und für Aquarelleffekte
Oder kombiniert mit PABLO® für Details, Schraffurtechniken und zum Kolorieren vielfältiger Untergründe
DETAILS DER BLENDER
Ein vielseitig verwendbares, farbloses Medium auf Öl- und Wachsbasis, das Farben vermischt, verbindet und intensiviert
Bei der Anwendung wird eine wasserfeste Schicht aufgetragen, die zusätzlich den Schutz vor UV-Strahlen erhöht
Hexagonale Form, sparsam im Gebrauch, 100 % wiederverwendbar
ANWENDUNGSTECHNIKEN
Flexible Anwendung: entweder wie einen Stift für kleine Arbeiten oder flach für große Flächen verwenden
Ideale Ergänzung zu Farb- und Graphitstiften sowie Wachspastellen von Caran d'Ache
Acrylic colour
Talens Art Creation is a reliable quality acrylic paint which is 100% based on acrylic resin. The paint is pasty, has a silky sheen when dry and can be painted over quickly. Talens Art Creation can be used both straight from the tube and thinned with water. The paint is waterproof when dry. Due to its adhesive properties this paint allows you to work on any somewhat absorbent ground that is free of grease and dust, such as canvas and paper, as well as plaster, board, wood, stone and cement.
Holbein Artists' Pencils are a range of soft and vivid artists' coloured pencils from leading arts manufacturer Holbein.
Each pencil has an extremely soft and buttery feel with a vibrant colour laydown. Holbein use high-grade pigments which exhibit little fading or discolouration by light. The mixture of oils, waxes and premium pigments result in a very thick layer of colour that is vivid and permanent.
Holbein Artists' Pencils pencil have a comfortable 7.8 mm round barrel with a thick 3.8 mm core, giving artists the ability to lay down a lot of colour at once. The pencils are pre-sharpened and require use with a good quality sharpener because of their softness. This softness and the richness of colours make these very good for colourful works or for enhancing aspects of a drawing that you want to stand out.
150 colours available.
Roman SzmalAquarius WatercolorsAll AQUARIUS watercolors have excellent lightfastness (minimum rating of 7 on the Blue Wool scale), which means that the colors will not fade for at least 100 years (if used correctly). In contrast to other watercolors, the palette of our Aquarius colors consists exclusively of lightfast pigments.For this reason, our products do not contain any non-permanent pigments, such as PG8, PR83, PY1 or fluorescent. On the other hand, they contain some unique tones not available anywhere else, like PY61, PY168, PV37, PBr23 or PBk8. We only make small batches of our paints, which allows us to maintain an exceptional quality of our paints. Each batch is tested for its performance characteristics: vibrancy, flowability, viscosity, color value, transparency, grain, undertone, color strength, clarity and particle size. For each color we choose the perfect cut that matches the particle size and is optimal for the color's performance. We currently manufacture 180 colours, 154 are mono-pigment colours. Such a wide range of mono-pigment colors allows artists to mix them and create their own high-quality color palettes. Our 34 EARTH SHADES are made from natural earth, not synthetic iron oxides. With colors such as Aquarius Black, Mummy Transparent Red, Hämatite, Van Dyck Brown or Caput Mortuum, we give the artist even more choice. Some unique shades are created exclusively by ROMAN SZMAL ART, such as: B. Aquarius Green, Przybysz's Grey, Ocean Blue, Shadow Violet, Green Gold and Olive Green.We use only the highest quality ingredients: pharmaceutical grade gum arabic and glicerine, linden honey, distilled water and pure pigments. We only buy from suppliers with a good reputation.Each pan of AQUARIUS colors is filled and labeled by hand. The labels of our watercolors are made of hand-painted watercolor paper and provide information about lightfastness, grain, transparency and the degree of penetration into paper.
Pigma Micron pens are waterproof and permanent fineliners that are loyally used by designers, scientists, archivers, manga artists, cartoonists, illustrators and hobbyists. It is the recommended pen for Zentangle. The fine nib makes this pen ideal for creating both technical and artistic drawings. PIGMA Micron comes in 10 nib sizes and in various colours for drawing precise lines with an archival ink.
Chalk from Champagne
from France, natural calcium carbonate
Chemical description Natural calcium carbonate (CaCO3)
ColorIndex PW 18.77220
Suitability Acrylics, Lime / Fresco, Oil, Tempera, Watercolor / Gouache
Color White
Form powder
Solubility in water 0.014 g/l (20°C); 0.018 g/l (75°C)
Oil paint has a special place at Old Holland. It is the first product we
manufactured.Since the early days of oils, artists have made high demands regarding the durability of their work. In order to meet these demands for optimum durability, Old Holland still produces all its classic oil paints according to traditional formulas (the durability of which has been demonstrated over the course of time), supplemented by the latest contemporary insights. The choice of pigments is a unique mix of the best traditional colours and the best pigments derived from the latest technological developments.
In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium we use for our oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.
Each tube of Old Holland oil paint has a colour strip above the label, painted with the colour from the tube in question. We are convinced that this is the only honest method to show the colour in the tube. Old Holland is one of the only company that still uses this method.
The pastose colour line for highest artistic demands Lascaux Artist is a high-quality acrylic paint applicable in art and decoration. This thick artist’s paint is suitable for all painting techniques, and lends itself to both indoor and outdoor use.
Lascaux Artist is a pastose artists' acrylic colour of the highest quality.It comprises 54 carefully balanced hues, rangeing from opaque to transparent depending on the pigment.
Lascaux Artist is particularly luminous, and intense and offering high colour depth and economical, Lascaux Artist shows a smooth and thick consistency very similar to classic oil paints. The carefully balanced assortment allows the mixing of virtually every imaginable shade. All 54 hues provide excellent lightfastness and dry to form an even, semi-matt finish, with minimal shrinkage. The dry film remains flexible and does not crack even when layers are thick. Lascaux Artist is weather-resistant and thus suited for outdoor application. Lascaux Artist is a high-quality acrylic paint applicable
in art and decoration. This thick artist’s paint
is suitable for all painting techniques, and lends
itself to both indoor and outdoor use. Practically
every nuance of colour is able to be attained
with this balanced assortment of 54 hues. The outstanding
colouristic properties of Lascaux Artist
meets the highest of expectations.
Properties
maximum pigmentation
lightfast, age-resistant and non-yellowing
optimally weather-resistant
water-resistant when dry
very good fi lm fl exibility
minimal colour difference between wet and dry
semi-matt fi nish
consistency : smooth and thick
opacity : ranges from transparent to opaque,
depending upon colour tone ( pigmentation )
painting properties: smooth buttery and soft
precision application with brush and palette-knife
adhesion : optimal on practically any fat-free surface
usage : highly concentrated and economical
Application
for art and decoration
for all painting techniques
for indoor and outdoor use
Usage
Lascaux Artist can be applied with any painting tool,
either directly from the container or diluted with water.
The result is a hard elastic colour fi lm that can be
painted over as desired – from delicate glazes to heavy
impastos.
Priming :
We offer products for both rigid and fl exible base
coats ( Lascaux Primers and Modelling Pastes )
dependant upon the desired absorption level and
texture.
Mixing :
With the use of the versatile Lascaux Acrylic painting
agents, the properties of the paints can be adapted to
all techniques, i.e., modifying gloss level, viscosity and
structure. Transparency can be increased by mixing
with impasto gels, whilst maintaining the thickness of
the paint.
Varnishing :
All acrylic works can be permanently protected
and rendered easy to clean with Lascaux Transparent
Varnishes. A special transparent varnish with an
UV-absorber is available for outdoor applications.
Composition
Lascaux Artist consists of lightfast pigments and
selected pure acrylics.
Delivery form
Tubes of 45 ml, bottles of 390 ml and 750 ml.
Tubes of 200 ml are available in 18 selected hues,
see next page.
Buckets of 5 litres (Titanium white and Tint white ).
Product information "Holbein ACRYLA Gouache 20ml" Holbein ACRYLA Acryl Gouache 20ml Available in 109 brilliant opaque colours, Holbein Acryla Gouache behaves like traditional gum arabic gouache but because it is made with an acrylic resin binder, it is waterproof once dry. This makes layering easier as fresh layers of colour can be applied without the risk of bleeding through the lower layer. Acryla Gouache dries quickly and with minimal colour change; what you see wet is what you get when the paint is dry. Holbein is unique in the art materials trade because they do not make entry-level/student quality paint products. Each of the 16 artist grade colour lines is designed to meet the specific needs of the professional/serious artist, with a focus on durability, brilliance and technique.
Sennelier Pastels:
Transparent medium #221
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Size:
5 ml
OIL PASTELS
In 1949, Parisian painter Henri GOETZ approached Henri SENNELIER the famous artist materials manufacturer, about creating a wax colour stick for his friend Pablo PICASSO. Picasso, a long-time Sennelier customer and a frequent visitor to their store across the street from the Louvre museum, was looking for a medium that could be used freely on a variety of surfaces without fading or cracking.
Their collaboration produced the incomparable SENNELIER oil pastels. Originally available in a palette of classic hues, the colour selection was expanded with the addition of metallic and iridescent hues.
Beyond these classic hues a selection of unique shades is available, and in particular a gradation of greys, required for a balanced palette. This evolution is the fruit of a long-standing collaboration with European and North American painters, who have worked with our company in developing an exceptional palette of shades.
The Sennelier oil pastel is a product that makes use of the components used in all Sennelier colours: top quality pigme nts, an extremely pure synthetic binding medium and mineral wax. The pigments are ground with an inert, non-siccative binding medium that does not oxidise and that has no effect upon either film stability or surface. This base is then mixed with wax (neutral pH). The balance of this mix provides Sennelier oil pastels with a unique unctuousness and a creamy texture that allows for a great deal of freedom in pictorial expression.
The Sennelier oil pastels possess an extraordinarily high pigment content, thus providing them with a high colouring and covering potential, excellent brightness and a high degree of light stability (with the exception of metallic and fluorescent shades).
The remarkable properties of these components, along with their precise dosage, provide Sennelier oil pastels with unique properties, making the brand a world-recognised reference.
Colourchart Oilpastels.pdf
This material allows oil painting to be approached differently. It extends the artist's freedom of expression, allowing a greater degree of spontaneity, of "expressionism".
The Oil Stick is a composition of oil paint. A proportion of the oil is substituted with a neutral mineral wax, resulting in the stick appearance.These colours are of perfect quality: pure pigments are ground into vegetable oils (siccatives), selected for their low degree of yellowing with time. The choice and high concentration of pigments enables excellent light resistance to be achieved. These colours are applied discreetly to conventional oil painting supports (oil-proof or universal) and demand quality background preparation.
Supports: canvas, canvas boards, laminated panels, paper. Solid oil paint should be applied in a relatively thin film (no more than 1mm). Layers can be overlapped, in the same manner as paste oil paint, and can, if necessary, be thinned with petroleum or turpentine. Before use, the surface film should be removed. This latter will re-form after a few days of non-use. Paint applied dries within 2 to 5 days depending on layer thickness and atmospheric conditions. A clear medium is available allowing transparency and glazing effects to be achieved.
Solid artists' quality colours are available in opaque or transparent shades, depending on the shades of the pigments used. The product may be stored for extended periods of time and requires no special attention, apart from avoiding heat sources that may damage it.Once dry, the paint may be varnished like conventional oil paint, after a minimum drying period of 6 months, using an oil paint finishing varnish.
Oil Sticks are an alternative form of oil paint. They are made by hand, with the finest pigments and natural waxes, in Montréal by KAMA PIGMENTS
The Kama Pigments Oil Sticks basically are an artist’s oil paint in stick form.
They can be applied to a canvas (or any other support that is appropriate for oil paint) quickly, easily and dynamically to create exciting, expressive marks that are not possible with ordinary oil paint.
The colors are amazingly bold, and Oil Sticks can be used without solvents or a palette. They can be mixed and blended directly on the support with a brush or neutral Oil Stick, and can be used to create transparent glazes, thick impastos and anything in between.
Kama Pigments Oil Sticks offer the artist a medium that combines the vividness, depth and consistency of oil paints with the natural ease of application that is typical of pastels and charcoal.
Handmade with natural waxes, walnut oil and no solvent. Compatible with oil paints and painting mediums, encaustics and for final coat on acrylics.
Handmade oil sticks from Canada
Contains pure pigments, walnut oil and natural waxes.
Easy to use just like pastels or charcoal
All kinds of rigid supports, ideally coated with gesso or properly sized (MDF, plywood, masonite, etc.)
On sized paper (treated with a coat of liquid glue, medium or varnish to prevent the oil from penetrating)
Kama uses authentic pigments known for their exceptional characteristics. The pigment contents and batch number of the paints are clearly written on every stick.
We at Peter’s Art are the first to offer Kama Pigments in Germany and are selling the sticks in 60ml and 15ml.
Die Gamblin-Farbpalette
Robert Gamblin hat unsere Palette in die Farbgruppen „Mineral“ und „Modern“ gegliedert, um Künstlern die Auswahl einer Farbpalette zu erleichtern
das am besten zu ihrer künstlerischen Absicht passt. Unsere Farben sind auch nach Epochen der Pigmentgeschichte gruppiert: Klassik, Impressionismus und 20. Jahrhundert
Jahrhundert. Im Laufe der Kunstgeschichte waren Gemälde immer ein Spiegelbild der Materialien, die Künstlern zur Verfügung standen. Mineralfarben
Die mineralische Seite der Farbkarte umfasst Farben, die aus anorganischen Pigmenten, also aus der Erde ausgegrabenen Metallerzen, hergestellt werden.
Bei vielen dieser Pigmente wird ihre Farbe in Öfen bei sehr hoher Hitze entwickelt. Unten auf der Mineralseite des Diagramms
ist die Gruppe der Erdfarben, die das Herzstück der Malerpaletten der Klassik bildete. Diese Gruppe von Pigmenten, die
hat seinen Ursprung in der Höhlenmalerei und der Antike und war von der Renaissance bis zur Klassik von zentraler Bedeutung für die Palette des Ölmalers
Epoche. Aus dieser begrenzten Palette von Erdfarben stellten Maler Formen dar, indem sie große Kontraste zwischen den dunkelsten Dunkelheiten und den dunkelsten Tönen zeichneten
Die hellsten Lichter erzeugen den Hell-Dunkel-Effekt (wörtlich „Hell/Dunkel“), der für klassische Gemälde so charakteristisch ist.
Während der industriellen Revolution wurde eine völlig neue Reihe anorganischer Pigmente aus Mineralverbindungen entwickelt, wie z
Kobalt, Cadmium und Mangan. Ihre intensiven Massentöne ergänzten Erdfarben auf den Paletten der Maler und ersetzten Farben
Hergestellt aus teuren Halbedelsteinen, flüchtigen Farben oder hochgiftigen Verbindungen. Dieses komplette Spektrum an Pigmenten, verpackt
erstmals als Ölfarben in Tuben, drückte das Interesse der Impressionisten an der reinen Farbe aus.
Mineralfarben vergrauen, wenn sie mit Weiß gemischt werden, was perfekt ist, um die Farben der natürlichen Welt einzufangen. Auf mineralischer Basis
Pigmente haben größere Pigmentgrößen und geringere Farbstärken als moderne Farben. Sie sind schlanker und natürlich mattierter.
Mineralfarben sind meist deckend. Ausnahmen bilden Ultramarinblau und Viridian, die transparent sind. Mineralfarben haben eine
Lichtechtheitsbewertung von Ausgezeichnet (I).
Moderne Farben
Moderne organische Pigmente basieren auf Kohlenstoff. Die meisten modernen Farben, einschließlich Chinacridon, Phthalo und Perylen, sind es
transparent. Hansa und Napthol sind halbtransparent. Aufgrund ihrer geringen Partikelgröße und der höheren Ölaufnahme (fetter)
Moderne Pigmente ermöglichen Farben mit sehr hohen Farbstärken und einem natürlich höheren Glanz.
Moderne Farben ergeben in Kombination mit Weiß unglaublich intensive Farbtöne. Sie bleiben in Mischungen hochwirksam, es sei denn, es handelt sich um eine Ergänzung
hinzugefügt. Anstatt von hell zu dunkel zu wechseln, wechselt eine Familie moderner Farben von warm (Phthalo Emerald) zu kühl (Phthalo).
Grün). Moderne Farben haben die Lichtechtheitsbewertung „Ausgezeichnet“ (I), mit Ausnahme von Hansa Yellow Light und Napthol
Pigmente, die mit „Sehr gut“ (II) bewertet werden. Jede Tube Ölfarbe in Künstlerqualität ist mit einer Lichtechtheitsbewertung gekennzeichnet.
Mineral- und Modern-Farben sind vollständig miteinander kompatibel. Maler können die Eigenschaften jeder Farbgruppe nutzen
Wie oben beschrieben, können Sie Ihre eigene personalisierte Farbpalette erstellen.
Strahlend
Gamblin Radiant Colors bietet Malern acht intensive Farbtöne – Mischungen aus reiner Farbe und Weiß – zum Preis von 7 auf dem Munsell®
System. Mit diesen strahlenden Farbtönen können Maler wirkungsvolle Untermalungen erstellen und diese anschließend lasieren, um optische Lichteffekte zu erzielen
und Schatten.
Weiß, Grau und Schwarz
Die wichtigste Farbwahl, die wir treffen, ist das Weiß, das wir in unsere Arbeit einbringen. Es stehen neun verschiedene Gamblin Whites zur Auswahl
Künstlern stehen verschiedene Arbeitseigenschaften, Temperaturen, Trocknungsgeschwindigkeiten und Deckkraft zur Verfügung. Weitere Informationen finden Sie in unserem Studio Notes-Newsletter „Bekommen“.
Weitere Informationen zur Auswahl des richtigen Weiß für Ihre Arbeit finden Sie auf unserer Website.
Gamblin Portland Greys (Light, Medium und Deep) können die starken Farbtöne der modernen Farben abschwächen, um ein natürlicheres Aussehen zu erzielen
Mischungen. Die Portland Greys sind nach der Stadt benannt, in der sie hergestellt werden, und ihrem charakteristischen grauen Himmel
für Maler, die mit Wert arbeiten. Unser Sortiment der neutralen Portland Greys wird um Portland Warm Grey und Portland erweitert
Kaltes Grau. Durch die Zugabe von Titanium Buff entsteht ein Dreiklang aus gedämpften Primärfarben. Dies gibt Malern die Möglichkeit dazu
Vervollständigen Sie eine Reihe „farbiger Grautöne“.
Gamblin Chromatic Black verleiht Malern ein neutrales, tönendes Schwarz mit Energie, das die Farben nicht trübt oder abflacht
Traditionelle Schwarze tun es. Denn Chromatic Black besteht aus zwei Farben, die sich perfekt ergänzen: Chinacridone Red und
Phthalo Emerald verleiht Malern ein tiefschwarzes Lebendigkeit und eine saubere Transparenz.
Ein begrenztes Sortiment von Qualitäts-Acrylfarben für Künstler, die den höchsten Standards für Kunstfarben entsprechen und ideal für die Arbeit im Atelier, auf großen Formaten, Wandmalereien und Installationen sind.Acrylic Studio enthält das gleiche Harz wie Acrylic Artist Color und viele der gleichen Pigmente; die Pigmente für diese Palette wurden aufgrund ihrer Beständigkeit, Reinheit und Farbintensität ausgewählt, immer mit dem Ziel, ein ausgezeichnetes Produkt zu einem moderaten und einheitlichen Preis anzubieten.Die Farben von Acrylic Studio enthalten keinerlei Füllstoffe, so dass die Farben eine große Stärke und chromatische Reinheit aufweisen. Sie sind opak oder transparent, je nach Art des Pigments, und trocknen halbmatt auf. Die 26 Farben enthalten keine giftigen Pigmente oder Schwermetallderivate und erzeugen keine Abfallprodukte, die die Umwelt belasten könnten.Der Name und die Farbindexnummer der Pigmente sind auf den Etiketten und in der Farbkarte angegeben, so dass der Künstler Mischungen studieren und seine eigenen Farben mit vollständiger Kontrolle entwickeln kann.Die dickflüssige Konsistenz von Acrylic Studio erlaubt alle Techniken, erlaubt dem Künstler, die Farben mit allen Medien sowie Fremdmaterialien zu mischen und kann auch einfach mit Wasser für transparentere Anwendungen verdünnt werden.Im Sortiment bieten wir Medium Primal und Studio Gesso an; Acrylic Studio ist vollständig kompatibel mit unseren Hilfsprodukten und mit Acrylic Artist Color sowie mit allen anderen hochwertigen Acrylfarben für Künstler.